33 French-language outlets cover the Techno scene. Out of 2049 in total.
Podcasts, webzines, radio stations, blogs, channels. France, Belgium, Switzerland, Luxembourg. We gather their contact addresses and check they still publish. You pick who deserves your track.
Already in the database, among 3,000+ outlets
Finding who to contact takes longer than writing the message
Any musician who has tried knows it. Two hours combing platforms and webzine sites to find four addresses, two of which bounce.
- You dig through platforms and sites one outlet at a time
- You go through a generic form, with no idea who reads it
- You write to a show that stopped in 2023
- You send your techno record to an outlet that never covers that style
- 2049 French-language outlets, already sorted
- The editorial address, or its real contact channel
- Latest publication checked on 15 septembre 2026
- The genre filter, so you stop spraying
We removed everything that doesn't help
An outlet only enters the database if it has a working address and still publishes. The rest, we throw away.
The editorial address when it exists
When an outlet has an email address, you get it. Otherwise we tell you the channel that works for it: contact form, Instagram, Facebook or X.
Nothing dead
An outlet that hasn't published in two years won't answer you. We look at the date of its latest publication, and we show it.
Sorted by genre
A metal outlet won't review your folk record. You filter on your style and only write to the ones it concerns.
Things move, we follow
Outlets stop, change addresses, come back. We go over them regularly and you get the updates.
This is what it looks like
You filter on the left, read the profile on the right, grab the address.
What early users say
J'ai retrouvé les vraies adresses des rédactions, pas des formulaires de contact génériques. En une soirée, ma liste d'envoi était prête.
Ce qui m'a rassuré, c'est que la base est vraiment à jour. J'avais de vieux contacts qui rebondissaient, ici tout est récent.
Filtrer par genre m'a évité d'écrire à des médias qui n'ont rien à voir avec ma musique. Simple et efficace.
The next packs
Same database, same rules, other pitch languages. Today's figures, they move with the database.
Germany, Austria, German-speaking Switzerland, and every outlet working in German.
UK, Ireland, English-speaking Canada, and every outlet working in English.
The whole French-speaking world, at once
France, Belgium, Switzerland and Luxembourg in the same pack. You pay once, you come back whenever you want.
- The 2049 reachable outlets from the 4 countries
- Filters by genre, reach and cadence
- Each one's contact address
- Database updates
- Permanent access, on all your screens
What people ask us
If something's missing, write to us.
Concretely, what do I get?
Access to your database, with the 2049 French-language music outlets that have a valid address and still publish: France, Belgium, Switzerland, Luxembourg. You filter by type and genre, open a profile, take the contact. You write the message.
Are the addresses really up to date?
Three separate checks. Each address's domain is technically verified (last check on 15 septembre 2026). The last publication date is shown on every listing, and an outlet inactive for 12 months leaves the list. A bouncing address can be reported in one click from the listing; reported twice, it is removed. A valid address guarantees neither a read nor a reply.
I have no label, is it still useful?
That's actually most of the people who buy. A music outlet is looking for artists to discover, that's its raw material. A signed band will get coverage anyway.
Do you contact the outlets for me?
No. You write yourself: you tailor each message to the outlet, you keep the relationship, and replies come to you. What we do is tell you who to write to and through which channel.
Am I paying to get reviewed?
No. Not one euro goes to the outlets: we don't pay them, they don't pay us, and there's no commission. What you pay for here is the address book, the work of gathering and verifying editorial contacts. Writing to an outlet stays free, and whether they cover you depends on your music, their editorial line and their schedule.
How does this compare to pay-per-send platforms?
They're two different approaches. On those platforms you pay around €2 per contact and you're guaranteed written feedback. Here you pay once and you keep the contacts: you write yourself, as often as you like, for this release and the next ones. The relationship is yours to build. Twenty sends over there costs about what full access costs here.
What if I'm disappointed?
You have 7 days to ask for a refund. No need to justify yourself.
Your track deserves better than a folder on your hard drive
2049 French-language outlets. The first message can go out tonight.